\n
Brezilyal\u0131 Studio MK27 firmas\u0131ndan M\u0130MARLAR MARCIO Kogan ve Renata Furlanetto, peyzaj \u00f6zelliklerine sahip Isabel Duprat onlara 10.225 metrekarelik k\u0131sm\u0131 b\u00fcy\u00fctmeleri bildirildi\u011finde 2010 y\u0131l\u0131nda S\u00e3o Paulo’da yeni bir evin istediklerini atm\u0131\u015flard\u0131. Casa Rampa olarak bilinen, neredeyse 20 in\u00e7. Y\u00fckselen bir k\u00f6k sistemi sibipiruna<\/em>Daha \u00f6nce Brezilya k\u0131y\u0131lar\u0131n\u0131n \u00e7o\u011funlu\u011funu kapsayan Atlantik ya\u011fmur orman\u0131 ekosistemine \u00f6zg\u00fc, \u00e7i\u00e7ekli bir dev olan a\u011fa\u00e7, plan\u0131n b\u00f6l\u00fcmlerinden daha da derinlere uzan\u0131yordu. Bir \u00e7ift i\u00e7in ikinci bir ev ve arka koleksiyonlar\u0131 olan konutun orijinal dayan\u0131kl\u0131l\u0131\u011f\u0131n\u0131n korunmas\u0131, havas\u0131n\u0131n bozulmas\u0131n\u0131 sa\u011flayacak \u015fekilde bozulmayaca\u011f\u0131n\u0131 belirten bir durum s\u00f6z konusudur. Ge\u00e7ti\u011fimiz a\u011fustos d\u00f6neminde \u0131l\u0131man bir ilerlemeden sonra, narin \u00e7ift kanatl\u0131 kanatlar\u0131n\u0131n alt\u0131nda 69 ya\u015f\u0131ndaki Duprat, “\u0130ki se\u00e7ene\u011fi vard\u0131: Evi ta\u015f\u0131rs\u0131n\u0131z ya da a\u011fa\u00e7 \u00f6l\u00fcr” diyor. Mimarlar soru sormad\u0131: 72 ya\u015f\u0131ndaki Kogan, “Asla b\u00fcy\u00fck a\u011fa\u00e7lara dokunmuyoruz” diyor.<\/p>\nBug\u00fcn bu bitki, melinonii filodendronlar\u0131n\u0131n kumral boyunlar\u0131na monar\u015fik e\u011frelti otlar\u0131n\u0131n sar\u0131ld\u0131\u011f\u0131 ve tereya\u011fl\u0131 ve eflatun orkidelerin bir kolye gibi as\u0131ld\u0131\u011f\u0131, arazideki binlerce bitkiden biri. Jabuticabeira<\/em>, yay\u0131lan bak\u0131r dallar\u0131 mor meyvelerle kabarm\u0131\u015f. Bu kadar bolluktan faydalanman\u0131n ayr\u0131nt\u0131lar\u0131n\u0131 gerektirir; \u00d6rne\u011fin sibipirunay\u0131 kurtarmak i\u00e7in evi geli\u015ftirmek, mevcut var olan yenid\u00fcnyalar\u0131n ve anka ku\u015fu palmiyelerinin s\u0131cakl\u0131klar\u0131n\u0131n \u00e7evrelenmesini engellemek i\u00e7in araziye katmanlar anlam\u0131na gelmektedir. Yerle\u015ftirmek ipe<\/em>ve Capirona<\/em>Duprat, her ikisi de Amazon sert a\u011fa\u00e7lar\u0131ndan olu\u015fan a\u011fa\u00e7lar\u0131n aras\u0131nda, evin ikinci kat balkonunda durdu ve b\u00f6l\u00fcmlerin y\u00fcksek aral\u0131klar\u0131n\u0131 ortadan kald\u0131racak \u015fekilde g\u00f6lgelik olu\u015fturarak her bir bitkiyi d\u00f6nd\u00fcrerek a\u015fa\u011f\u0131daki be\u015f bah\u00e7\u0131vandan olu\u015fan ekibini y\u00f6nlendirdi. 48 ya\u015f\u0131ndaki Furlanetto, kurtar\u0131lan a\u011fac\u0131n “mimarinin bir par\u00e7as\u0131 haline geldi\u011fi”, projeye ad\u0131n\u0131 veren i\u00e7 beton rampay\u0131 kaplayan tavann g\u00f6lgeler d\u00fc\u015f\u00fcrd\u00fc\u011f\u00fcn\u00fc s\u00f6yl\u00fcyor. MK27’nin 63 par\u00e7al\u0131 i\u00e7 mekanl\u0131 Diana Radomysler, evin geri kalan\u0131n\u0131n “bah\u00e7e i\u00e7in bir \u00e7er\u00e7eve oldu\u011funu” s\u00f6yl\u00fcyor.<\/p>\n<\/div>\n<\/div>\n\n
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E\u011frelti otlar\u0131, filodendronlar ve \u00e7i\u00e7ekli g\u00fcl \u00fcz\u00fcmleri, tamam\u0131 Duprat taraf\u0131ndan S\u00e3o Paulo mimarl\u0131k firmas\u0131 Studio MK27 taraf\u0131ndan 2015 y\u0131l\u0131nda in\u015fa edilen Casa Rampa’da bir havuz kapl\u0131yor.<\/span> Kredi…<\/span> Pedro Kok<\/span><\/span><\/span><\/div>\n S\u00fcr\u00fcnen pilea, Xanadu, fil kula\u011f\u0131 ve ince aral\u0131kl\u0131 calathea’n\u0131n d\u00f6nen katmanlar\u0131, bir \u00e7ift filin alt kanopileriyle bulu\u015facak \u015fekilde y\u00fckseliyor. Inga<\/em>Duprat’\u0131n yengesinin S\u00e3o Paulo’daki evi i\u00e7in tasarlad\u0131\u011f\u0131 2009’daki Jardim Brasileiro’daki a\u011fa\u00e7lar.<\/span> Kredi…<\/span> Pedro Kok<\/span><\/span><\/span><\/div>\n<\/div>\n<\/div>\n\n
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Ressam ve kendi kendini yeti\u015ftirmi\u015f peyzaj mimar\u0131 Roberto Burle Marx’\u0131n \u00fclkesindeki ikonik Modernist binalardan baz\u0131lar\u0131 i\u00e7in bah\u00e7eler yapmaya 1930’lardan ba\u015flayarak bu yana do\u011fa ve yap\u0131l\u0131 mekan\u0131n toplu Brezilya mimarisini tan\u0131mlad\u0131. Hollandal\u0131 bir y\u00f6neticinin yakla\u015f\u0131k 300 y\u0131l \u00f6nce Brezilya’n\u0131n bilinen ilk bah\u00e7elerini dikti\u011fi kuzeydeki Recife ko\u015fullar\u0131ki ilk kamu projeleri i\u00e7in Burle Marx, Amazon nil\u00fcferin yetenekli ve zay\u0131f bir b\u00f6lge olan Caatinga’dan gelen kakt\u00fcsleri kullanarak Avrupa merkezli elitleri utand\u0131rd\u0131. \u00fclkenin i\u00e7 k\u0131sm\u0131. Burle Marx, 1994’te, 84 ya\u015f\u0131nda \u00f6lmeden hemen \u00f6nce, yeniden hayat\u0131n\u0131le\u015ftirmeyle hi\u00e7bir ilgisi olmamas\u0131na ra\u011fmen, “\u015eehirlerini ormana geri d\u00f6nd\u00fcrmeye \u00e7abal\u0131yorlarm\u0131 iddia ediyorlard\u0131” diye an\u0131ms\u0131yordu. Bunun yerine, belirgin bir Brezilya ifadesinin yayg\u0131nla\u015fmas\u0131 ama\u00e7land\u0131. 1779 ile 1783 y\u0131llar\u0131 aras\u0131nda hastal\u0131kl\u0131 bir g\u00fcn \u00fczerine in\u015fa edilen, \u00fclkenin ilk belediye bah\u00e7esi olan Rio de Janeiro’daki Passeio P\u00fablico’nun \u0130talyan geometrilerinden ba\u015flayarak, Brezilya parklar\u0131 \u00e7o\u011fu zaman Avrupa parklar\u0131n\u0131 yans\u0131t\u0131yordu. 18. y\u00fczy\u0131l\u0131n sonlar\u0131ndaki botanik bah\u00e7eleri, 67 ya\u015f\u0131ndaki mimar ve profes\u00f6r Hugo Segawa’n\u0131n ifadesiyle, “bitkiler yasal bilgisine h\u00fckmederek d\u00fcnyaya h\u00fckmetmenin bir yolu” olan d\u00f6nemin “ye\u015fil emperyalizminin” bir kopyas\u0131yd\u0131.<\/p>\n<\/div>\n<\/div>\n
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Jardim Bot\u00e2nico’da al\u00e7akta yatan bir kapak grama-amendoim<\/em>h\u00fck\u00fcmdar e\u011frelti otlar\u0131, St. Christopher zamba\u011f\u0131 ve mor taro ile \u00e7evrelenmi\u015ftir ve y\u00fcksek Brezilya sediri ile g\u00f6lgelenmi\u015ftir. Sa\u011f arkada Franz Weissmann’\u0131n bir heykeli g\u00f6r\u00fcl\u00fcyor.<\/span> Kredi…<\/span> Pedro Kok<\/span><\/span><\/span><\/div>\n Granit ba\u011flant\u0131lar\u0131 bah\u00e7elerin aral\u0131klar\u0131n\u0131 ge\u00e7erek ge\u00e7mektedir.<\/span> Kredi…<\/span> Pedro Kok<\/span><\/span><\/span><\/div>\n<\/div>\n<\/div>\n\n
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19. y\u00fczy\u0131l\u0131n sonuna gelindi\u011finde, Auguste Fran\u00e7ois Marie Glaziou ve onun himayesi alt\u0131nda Paul Villon gibi Frans\u0131z peyzaj mimarlar\u0131, o zamanlar\u0131n \u00fclkenin ba\u015fkenti olan Rio’daki bah\u00e7eleri, Londra ve Paris’te bulunanlara benzer dolamba\u00e7l\u0131 yollarla ve \u00e7\u0131lg\u0131nl\u0131klarla d\u00f6n\u00fc\u015ft\u00fcrd\u00fcler. Kendisinden \u00f6nceki Glaziou gibi, Burle Marx da yerli t\u00fcrleri toplamak ve harcamak i\u00e7in Brezilya’n\u0131n i\u00e7 b\u00f6lgelerine s\u0131k s\u0131k gezilerine \u00e7\u0131kt\u0131; Ancak tasar\u0131mc\u0131 bitki \u00f6rt\u00fcs\u00fc Eski D\u00fcnya’dan al\u0131nan desenlerle yerle\u015ftirilirken, Burle Marx onlar\u0131 – iklimlendirilmi\u015f egzotiklerle birlikte – \u00e7evreledikleri binalardan ayr\u0131lamayan (ve daha az \u00fcretilmeyen) genel olarak, renk bloklu soyutlamalara d\u00f6n\u00fc\u015ft\u00fcr\u00fcld\u00fc. 1991 y\u0131l\u0131nda New York \u00c7a\u011fda\u015f Arka M\u00fczesi’nde eserlerin retrospektif sergisi d\u00fczenlendi\u011fi d\u00fcnyan\u0131n en \u00fcnl\u00fc ya\u015fayan peyzaj mimar\u0131 olmu\u015ftu.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"
Brezilyal\u0131 Studio MK27 firmas\u0131ndan M\u0130MARLAR MARCIO Kogan ve Renata Furlanetto, peyzaj \u00f6zelliklerine sahip Isabel Duprat onlara 10.225 metrekarelik alan\u0131n tamam\u0131n\u0131 geni\u015fletmeleri bildirildi\u011finde, 2010 y\u0131l\u0131nda S\u00e3o Paulo’da yeni bir evin ba\u015f\u0131ndalard\u0131.<\/p>\n","protected":false},"author":1,"featured_media":12278,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[883,799,1001],"class_list":["post-12277","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-magazin","tag-ev","tag-ile","tag-mimar"],"yoast_head":"\n
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